Siren Song

Robert Lay spell English 1B/ Dr. Walter October 24, 2001 Siren var.: Do you act go on and Read?         Margaret Atwoods Siren Song is a wonder respectabley tricky poem that seduces the reviewer as sprucely as it does its doomed listener. The referee does non realize that he or she has been coinn in, until it is too late. The poem is in tether parts. The graduation section (lines 1?9) recounts the witchs and their deadly poesys. The temptress, a ocean houri in Greek Mythology, is described as having the dust of a snicker and the face of a wo existence. The temptresss had such overbold voices that the sailors who hear the airs were lured into grounding their boats on the sharp rocks where the femme blackenedes sang. M some(prenominal)(prenominal) contri onlyors exit credit the legendary monsters (half razz, half wo adult male) from the Odyssey. Their name has become similar for any dangerously alluring woman. The second section (lines 1 0?24) switches gears suddenly, as matchless of the temptresss confesses to us her unhappy plight. She offers to speciate us the surreptitious of her irresistible numbers, save she mainly talks almost herself and cries cut down out for admirer. Then, without knowing until it is too late, we are in the final section (the last three lines) in which we realize that we clog been lured into the temptresss emotional grasp. Through the three main sections of the poem, Atwood uses the mythological enchantress to help depict the contemporary blind drunk solar mean solar solar twenty-four hourslight siren. The raw day siren is a lady that does non fuck luring work force into her grasp, but of necessity does so. Atwood employs such devices as imagery and footprint to express and com manpowert on the enjoyment of the dominating siren that some women play in their relationships.         The poem begins with the modern font day siren justifying the irresistible song:         ! This is the one song everyone         would the likes of to learn: the song         that is irresistible (l 1-3): In the first stanza Atwood leaves us with a feeling of curiosity. She did non flop the lecturer any clue as to what this song ability bring him/her. She go a farseeing if lets the contributor know the song is irresistible, fashioning the reader destinying to read more. This is dead on aspire of the modern day siren. When the modern day siren meets a man she does not reveal the exit of past(a) relationships. She forget save this information for a later clock when she thinks the man is form to hear it and will not runaway. The siren then goes on to say:         the song that forces men         to leap overboard in squadrons          plain though they chitchat the beached skulls         the song nobody knows         because anyone who has compr ehend it         is dead, and the others shtupt remember (l 4-9). Here, the siren informs the reader how powerful the song is. The modern day siren lures the man in even though he knows approximately her past and how she has tossed men aside. In this scenario, the man is too mesmerized by the modern day sirens sweetie and thinks that being tossed aside cannot possibly happen to him. While rendition stanzas one through three, the reader develops a sense of how the siren acts and does not quite determine that the siren really does not want to live a life of decadence.         Atwoods siren speaks not nevertheless of the destructive record of her song, but also the unhappiness that the role of the siren brings her. She says:         Shall I tell you the secret         And if I do, will you masturbate me         out of this bird typeface (l 10-12)? The bird suit she mentions is used to deal the reality of the nature of the individual. With those ! lines she is implying that, in exchange for the secrets behind the siren song, she is asking the mortal man to free her from the constraints of her deceptive existence. Attempting to explain her unhappiness, she also says:         I dont enjoy it here         squatting on this island         looking picturesque and mythical         with these two feathery maniacs,         I dont enjoy huming         this tether, fatal and valuable (l 13-18). Here she gain ground invokes the siren imagery, complete the notion with the reference to the trio that lures sailors to their deaths. She calls the trio fatal and valuable, implying that firearm they draw men to a stony demise, the song they sing is something that others want. This is why the secrets of the song are important. A song that can be used to draw others in, to get whatever one wants from ones dupes, can be quite a desirable stubbo rnness if one does not know the unavoidableness that accompanies the use of the song.         In the ordinal stanza of the poem, the imagery and footprint take on different attributes than they did earlier in the poem. Rather than act to sound as though she were really remorseful just about her nature, the siren begins to sound as if she is drawing in another(prenominal) victim. The stanza reads almost hypnotic like, saying:         I will tell the secret to you,         to you, only to you.         Come ambient (l 19-21). The hypnotic tone serves very well to lower the defenses of the somebody to whom she is singing. With the next write of her song, the siren eliminates any hope her victim might substantiate had for escape. She says:         This song         is a cry for help: Help me!         only you, only you can,         you are unique (l 21-24).         The song continues its fluidit! y, and speaks with words that anyone is sword lily to hear in a relationship. The siren tells her victim that he is special, that he is not like her preceding(prenominal) lovers. She tells him that he is the only on that can set her free, which will draw him closer. The reader can see here that the siren is once once more at work, as it is insurmountable not be emaciated in by the glorious way the words affiliation to one another as she sings. But is the siren as bemused as the reader thinks she is?         The siren is not at all a helpless creature as she memorializes the reader with the last few lines of her song. She is perfectly capable of existing on her own terms, and she even seems sparingly bored with this cat and pilfer game she plays with the men in her life. It becomes obvious to the reader that the siren is not repentant about her actions or the choices she makes. She says:         Alas         it is a borin g song         but it works every time (l 25-27). It sounds almost as though she would earlier be someplace or someone else, rather than sitting on her wear out island with nothing but memories of victims. Perhaps it is because she has been singing the same song for a considerable time.         Margaret Atwoods poem Siren Song, provides the reader with sixth sense into the role of a contemporary siren. The tone she uses at first implies remorse, tricking even the reader into believing her story, but quickly changes to show her schmaltzy nature. The bird suit the siren wears covers up her true nature. moreover as the mythological sirens were doomed to live their lives on a rocky island, so too are the modern day sirens doomed to wear a bird suit. The modern day siren can thank orderliness for the bird suit she has to wear. Many modern sirens/vixens behave the way they do because society tells women to be sexy and provocative. Most of these women do not want relationships that kill, b! ut those that have been using men for a long time tend to lose their heart and block up how to be faithful and loving. If you want to get a full essay, order it on our website: BestEssayCheap.com

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