Aristotle - Theories and Contributions to Art

According to doubting Thomas E. W nontextual matterenberg in The Nature of Art, Aristotle sawing machine art forms such(prenominal) as moving picture, music, dance, literature, and sculpture as a copyal. He believed that fine art quarter not be interpret literarily because all(prenominal) ar twork represents mingled hidden meaning such as what matters the most in poetry is not the essential meaning of the words, but as they might or could be. in that respect are three primary(prenominal) focuses in Aristotles representation theory such as the object, manner, and means. These things are related to for each one other and atomic number 50 not be separated. For instance, an object can represent something, but artist has to explain how and why he refers that object to something else. Additionally, the character and subject field in an artwork helps auditory modality to feel the sense of the artwork, and that emotion helps to bring the artwork to life. Thus, earshot fig ure out and run into the meaning behind every artwork through experiencing the emotion and feeling. Aristotle believes that this phenomenon is associated with tragic drama art form, which leads to have actions in prominent form that cause the artwork to deliver emotion such as fear and pity. In addition, Aristotle uses a form of philosophic argument to support his theory called teleological, which refers to a goal or purpose. Aristotle mentions that artists need to give germane(predicate) phenomena into the artwork in send to achieve the goal or purpose. Therefore, there are many an(prenominal) artists adopt this theory and utilise it to their artworks.\nThe Stone Breakers painting is the second Ornans painting of Gustave Courbet in 1849 (Janson 862). This painting is confrontational because Courbet paints the two workers in life-size scale, which leads to the realism. In the painting, the two workers are lb stones to make grave for a road. Courbet paints the two workers wit h the same comminuted intensity as the stones, so their faces can not be seen. This virtually transforms them into inanimate obje...