Music History

[name][professor /instructor][subject][date] : metempsychosis EraThe Renaissance was the great age of vocal concerted symphony , medicament consisting of a number of equally most-valuable give tongue to move all woven to theater upher to create a complex tapestry of overlapping melodies and pulchritudinous harmonies . In apparitional music , the primary compositional forms were the vision and the motet , while in worldly music they were the French chanson or song (for tether or four voices , and the Italian sickishrigal Instrumental music was not , for the most part , as formalized during the Renaissance as it would later become . Instruments were utilize in variable combinations to accompany singers (in both religious and secular music to bear music for private entertainment and dance , and to provide gay or cerem onial music for towns and kinglike courts . Principal instruments of the item included the lute , organ , and cembalo viols , recs shawms (double-reed precursors of the oboe , cruhorns (also double-reed instruments , trombones and huntsmans horns (GangwereAmong the most important composers of the Renaissance were Guillaume Dufay , of the so-called Burgundian educate , center on at the court of the dukes of Burgundy in Dijon France and Johannes Ockeghem , Jacob Obrecht Josquin stilbesterol Prez , and later , Orlando di Lasoo of the Flemish school (PenThe MassThe unvarying structure of the concourse , the constancy of the textbook , and the solemnity of function were not contributory to musical experimentation in great deal composition . Flemish masses nonetheless use the cantus firmus techniques of the earlier Burgundian masters . In the hands of olympian composers such as Giovanni da Palestrina the mass was a highly devotional and serene expression of the sacrament of the Eucharist , perfectly conform to to the! austerity demanded by the Counter reformation .

Palestrina s flexible arching melodic lines , his studied use of congruity and dissonance , and his beautifully constructed harmonic sonorities became the model for generations of counterpoint teachers (HoffmanThe MotetThe early motet (from the French intelligence activity meaning word ) frequently contained different texts in heterogeneous languages for each voice parts Complexities of word setting and beef up painting were alone not an important aspect of the music for early motet composers . As the humanism began to exert its influence , composers grew to a greater bound attentive to text setting . The single text was the trip force for the motet . Each section of music was presented as a separate musical episode that attempted to highlight the lucidity of the text as well as to convey the mad impact of the words . This style of sensitive text buffer came to be known as music reservata . Composers developed particularise techniques for the musica reservata style . Second , the natural speech rhythm was matched by melodic rhythm so that the words were correctly tonic . Third , syllabic treatment of text and expressive figures were used to portray the message of the text (HoffmanThe ChansonChansons were three-voice secular works in which the music closely mirrored the meaning of the French poetical text . The text , usually an expression of love , was in rondeau form with a two-line refrain (A B a A a b A B...If you want to rise a full essay, order it on our website: BestEssayCheap.com

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